WMS: CONTEST UPDATE, PUBLICATIONS, CFPS & JOBS [10-28-22]

WMS: CONTEST UPDATE, CFPS & PUBLICATIONS [10-28-22]

***Check it out: Publications from our essay contest partner the Media, War and Conflict journal, CFPs & Publications of Interest!

 

***See the WMS Essay Contest announcement for details on deadlines and prizes! Publication Opportunity & $100 Cash!

https://www.warandmediastudies.org/?p=424406

 

SUBMIT your essay:

Share your research and win some pocket money!

 

From the Feeds:

 

  1. Highlight: View recent Media, War and Conflict (MWC) book review and publications:

 

*Bond, C. (2022). Book review: British Media and the 1994 genocide against the Tutsi in Rwanda. Media, War & Conflict0(0). https://doi.org/10.1177/17506352211073201

 

*Gaufman, E. (2022). Damsels in distress: Fragile masculinity in digital war. Media, War & Conflict0(0). https://doi.org/10.1177/17506352221130271

 

*Fleischer, A. A. (2022). The Kosovo war and the Washington Post: Bombings and alignments. Media, War & Conflict0(0). https://doi.org/10.1177/17506352221078015

 

For more information on the journal Media, War and Conflict:

https://journals.sagepub.com/home/mwc

 

  1. Conference CFPs:

 

Title: When There is Nothing More to Say. – Silence – The Dissolution of Meaning

Concept: We are inviting papers regarding all kinds of silence such as speechlessness, the unsayable, unspeakable, melancholy, trauma language, depression, power matrix, and other approaches that will measure the parameters of silence.

Deadline: October 31, 2022

Organization: ACLA 2023

Contact: tschmid5@binghamton.edu

Weblink: https://call-for-papers.sas.upenn.edu/cfp/2022/10/23/when-there-is-nothing-more-to-say-%E2%80%93-silence-%E2%80%93-the-dissolution-of-meaning

 

Title: East Asian War Films

Concept: This seminar invites paper proposals that explore any aspects of war films

produced in China, South Korea, Japan, and other East Asian regions. The term “war film” here can be construed in its broad sense: war drama, war anime, and war documentary. We particularly encourage analyses and evaluation of cinematic representations of war in transnational and comparative contexts.

Deadline: October 31, 2022

Organization: ACLA 2023

Contact: (Aaron) Feng Lan (flan@fsu.edu), Florida State University

Lily Li (lily.li47405@gmail.com), Eastern Kentucky University

Weblink: https://call-for-papers.sas.upenn.edu/cfp/2022/10/11/acla-2023-annual-meeting-east-asian-war-films

 

  1. Calls for Journal and Book Publishing:

 

Title: Special Issue: ‘Sounding South Asia: From Silence to Noise’

Concept: Through this special journal edition, we wish to study the constitutive roles of

sonic imaginations and how they ‘rework culture through the development of new narratives, new histories, new technologies and new narratives’ (Sterne). The larger context of this effort is the recent social and cultural transformations in South Asia, reflected in its emerging spaces, its continuously negotiated and redefined spatialities, and the soundscapes that have come to characterise such dynamics.

Deadline: 31 October 2022

Requirements: Abstracts of 300 words

Contact: Shweta Khilnani soundtrackspecialedition@gmail.com

Website: https://call-for-papers.sas.upenn.edu/cfp/2022/10/10/special-issue-%E2%80%98sounding-south-asia-from-silence-to-noise%E2%80%99

 

Title: Lizards, Illuminati & Deepfakes: Conspiracy Theories at Play in Popular Culture

Concept: As part of the Routledge Advances in Popular Culture Series, this collection of

short and accessible essays (5,000 words each) will focus on: a) how conspiracy beliefs have invaded the popular culture mindset; b) how media representations (film, paper, transmedia) of conspiracy thinking have normalized and popularized fringe thoughts; and c) how conspiracy theories may be interpreted as contemporary mythmaking and storytelling.

Deadline: November 7, 2022 (Contributors selected: November 30, 2022)

Requirements: 500 words maximum & Bio Guidelines: One page C.V.

Contact: Robert Spinelli rspinelli@cheekwood.org

Website: https://call-for-papers.sas.upenn.edu/cfp/2022/10/06/lizards-illuminati-deepfakes-conspiracy-theories-at-play-in-popular-culture

 

  1. General Journal Publications of Interest:

For the most up-to-date scholarship, go to our website’s “Resources” and then to “Scholarly Journals.”

Selected Highlights:

*Altman Yuzhu Peng, Thomas William Whyke & Shixin Ivy Zhang (2022) Understanding the Russian invasion of Ukraine through a gendered prism, Feminist Media Studies, DOI: 10.1080/14680777.2022.2137831

*Nicholas R. Maradin III (2022) Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2022.2116863

*Norman Zafra (2022) From film to Web 2.0: transmedia as a distribution model for political documentary, Studies in Documentary Film, DOI: 10.1080/17503280.2022.2120380

 

  1. Book Reviews of Interest:

 

*Farisa Khalid (2022) CONTEMPORARY HOLLYWOOD ANIMATION: STYLE, STORYTELLING, CULTURE AND IDEOLOGY SINCE THE 1990S. By Noel Brown. Edinburgh UP, 2021. 232 pp. $100 hardcover, $24.95 paperback (forthcoming)., Journal of Popular Film and Television, 50:2, 94-95, DOI: 10.1080/01956051.2022.2077623

 

*Heather Duerre Humann (2022) THE BLOOMSBURY COMPANION TO STANLEY KUBRICK. Edited by I. Q. Hunter and Nathan Abrams. Bloomsbury Academic, 2022. 396 pp. $39.95 paperback., Journal of Popular Film and Television, 50:3, 141, DOI: 10.1080/01956051.2022.2114281

 

*Sarita Cannon (2022) HORRIBLE WHITE PEOPLE: GENDER, GENRE, AND TELEVISION’S PRECARIOUS WHITENESS. By Taylor Nygaard and Jorie Lagerwey. New York University Press, 2020. 272 pp. $89.00 cloth., Journal of Popular Film and Television, 50:3, 142-143, DOI: 10.1080/01956051.2022.2111943

 

***Please email Vivienne.Tailor@cgu.edu to have your CFP, Book Review, etc. posted