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Feminist Media Studies
By Megan Catherine Rose Patrick W. Galbraith a Vitalities Lab, UNSW Sydney, Sydney, Australiab School of International Communication, Senshū University, Tokyo, Japan
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Feminist Media Studies
By Sofia Persson School of Humanities and Social Sciences Leeds School of Social Sciences, Leeds Beckett University, Leeds, UK
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Feminist Media Studies
By Vishal Raj Nagendra Kumar a Research Scholar, Department of Humanities and Social Sciences, IIT Roorkee, Roorkee, Indiab Department of Humanities and Social Sciences, IIT Roorkee, Roorkee, IndiaVishal Raj is a doctoral candidate at the Department of Humanities and Social Sciences, IIT Roorkee, India. His areas of interest are masculinity studies, gender studies, popular culture, and regional literature, such as Bhojpuri. He has published research and review articles in journals like Media Asia (Taylor and Francis), University of Bucharest Review, and Men and Masculinity (Sage).Nagendra Kumar is a Professor in the Department of Humanities and Social Sciences at the Indian Institute of Technology Roorkee, Roorkee, India. He has been the recipient of the Teachers’ Research Grant of the American Studies Research Center, Hyderabad (1996) and the Outstanding Teacher Award, IIT Roorkee (2015). He happens to be a Fellow of the MELUS_MELOW, the Salzburg Seminar (Austria), and the International Shaw Society (Canada).
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Feminist Media Studies
By Sharon Adetutu Omotoso Adeola Omobola Opesade a Institute of African Studies, University of Ibadan, Ibadan, Nigeriab Institute for the Future of Knowledge, University of Johannesburg, Johannesburg, South Africac Department of Data & Information Science, Faculty of Multidisciplinary Studies, University of Ibadan, Ibadan, NigeriaSharon Adetutu Omotoso is a feminist philosopher and a fellow of the Alexander von Humboldt. Currently an Associate Professor (Gender/Media Studies) at the Institute of African Studies, University of Ibadan, Nigeria, she heads the Institute’s Women’s Research and Documentation Centre (WORDOC). Sharon is also a Research Associate with Institute for the Future of Knowledge, University of Johannesburg, South Africa, whose works integrate the transdisciplinary field of Gender Studies into African politics, Philosophy and Media. On these, she serves on editorial boards of scholarly journals. Her strength lies in developing new innovative concepts that contribute to debates among scholars and researchers. Sharon consults for international agencies in areas of gender, media literacy and youth empowerment combining research with advocacy and activism.Adeola Omobola Opesade is a lecturer at the Department of Data and Information Science, University of Ibadan, Nigeria. Her research interests include Cyber Security, Text Data Mining, Data-Driven Science, and Quantitative Methods. She has consulted for a number of organizations on Data Mining. She has publications in highly referred journals.
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Feminist Media Studies
By Ololade Faniyi Women’s, Gender and Sexuality Studies, Emory University, Atlanta, Georgia, USAOlolade Faniyi is an interdisciplinary African feminist scholar and Ph.D. student in Women’s, Gender, and Sexuality Studies at Emory University. Her research explores the intersection of Digital African Feminisms and Critical Technology Studies, with a focus on decolonizing techno-utopian narratives and activisms emerging within platform contexts of surveillance, authoritarianism, data territorialization and digitally enabled violence. She received degrees from the University of Ibadan, Nigeria (BA English, MA African Studies) and Bowling Green State University (MA American Culture Studies), where she was awarded the BGSU’s Graduate College Best Thesis Award for her work on feminist and queer hashtags and networks in #EndSARS. Ololade is an Imagining America Publicly Active Graduate Education Co-Director, and Graduate Fellow for the Atlanta Interdisciplinary Artificial Intelligence Network. She is also the Gender and Feminisms sub-editor at The Republic. Her work has been published in Communication, Culture and Critique, Feminist Africa, and Women’s Studies Quarterly. She has contributed to public scholarship through BBC Focus on Africa, OkayAfrica, and MozFest, offering insights on Nigerian gender politics, feminist activism, and digital cultures.
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Feminist Media Studies
By Ivy Mingyase Fofie Audrey S Gadzekpo H. Leslie Steeves a Department of Communication Studies, Loyola Marymount University, Los Angeles, United Statesb Department of Communication Studies, University of Ghana, Legon, Ghanac School of Journalism and Communication, University of Oregon, Eugene, United States
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Feminist Media Studies
By Jacinta Mwende Maweu David Maina Muthegethi a Department of Philosophy, University of Nairobi, Nairobi, Kenyab Department of History, archaeology and Political studies, Kenyatta University, Nairobi, KenyaJacinta Mwende Maweu (PhD) is a Senior Lecturer in Philosophy and Media studies at the University of Nairobi, Kenya. Her background is in Philosophy and Media studies and her research interests include: media and democracy, media and Gender, Media ethics, social and political philosophy political economy of the media and media and conflicts.David Maina Muthegethi (PhD) is a lecturer in Archaeology at Kenyatta University, Kenya. He holds a PhD in social archaeology. His research revolves around how social identities especially gender and social hierarchies were formed, negotiated, re-negotiated and maintained in the past and subsequent implication on material record.
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Historical Journal of Film, Radio and Television
By Yiwen Xia Yiwen Xia is a PhD student in the College of Media and International Culture at Zhejiang University. Her research interests include film and cultural history, colonial cinema, and cross-cultural communication.
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Historical Journal of Film, Radio and Television
By Ransford Tei Daniel Obeng Acquah Ransford Tei is a doctoral candidate in the Department of History at York University, Toronto. He is a historian of twentieth-century West Africa, Ghana, with a special focus on social, cultural and economic history.Daniel Obeng Acquah is a lecturer at the University of Media Arts and Communication. His research interests lie within the intersection of African Social and Political Systems, Changes in African Societies, and Chieftaincy and Culture.
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Historical Journal of Film, Radio and Television
By Witold Płotka Witold Płotka is Associate Professor at the Cardinal Stefan Wyszynski University in Warsaw, Poland. His research interests include phenomenology (theory of intentionality), the history of philosophy (Brentano, Husserl, Lvov–Warsaw School) and the topic of imagination. His publications include articles in, for instance, Phenomenology and the Cognitive Sciences, Husserl Studies, Journal of the British Society for Phenomenology, a monograph titled The Philosophy of Leopold Blaustein: Descriptive Psychology, Phenomenology, and Aesthetics (2024, Springer), and an edited volume titled Early Phenomenology in Central and Eastern Europe: Main Figures, Ideas, and Problems (2020 Springer, co-edited with Patrick Eldridge).
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Media Asia
By Awang Ruswandi Department of Communication, Universitas Indonesia, Jakarta, IndonesiaAwang Ruswandi is a lecturer of Department of Communication, Universitas Indonesia. He has been doing reseacrh on freedom of the press since 1999 to the present and the result of his studies were used for his thesis and disertassion, among others.
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Media Asia
By Shashank S. A. Navreet Kaur Sahi Chitrakoot School of Liberal Arts, Shoolini University, IndiaShashank S. A. is a doctoral scholar specializing in prison literature at the Chitrakoot School of Liberal Arts, Shoolini University, India. His research focuses on narratives of incarceration and systemic oppression in literature and media.Navreet Kaur Sahi is an Associate Professor at the Chitrakoot School of Liberal Arts, Shoolini University, India. Her academic interests include media studies, caste discourse, Holocaust literature, and social hierarchies in contemporary literature and film.
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Media Asia
By Normahfuzah Ahmad S. Maartandan Suppiah School of Multimedia Technology and Communication, Universiti Utara Malaysia, Changlun, MalaysiaNormahfuzah Ahmad is a senior lecturer at the School of Multimedia Technology and Communication, Universiti Utara Malaysia (UUM), Malaysia where she teaches media and journalism courses.S. Maartandan Suppiah is a senior lecturer at the School of Multimedia Technology and Communication, Universiti Utara Malaysia (UUM), Malaysia. He teaches communication courses at the institution.
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Media Asia
By Alaitz Gutierrez-Jauregi Maria Elena Aramendia-Muneta Irene Gómez-Cámara Gestión de Empresas, Universidad Pública de Navarra, Pamplona, SpainAlaitz Gutierrez-Jauregi is a graduate of the International Bachelor’s degree in Business Administration and Economics and a Master’s in Business Management from the Public University of Navarre. During her studies, she received two university collaboration grants, the first in the Department of Economics, researching anthropometry and living standards in rural areas, and the second in the Department of Business Management, exploring children’s Internet usage and the influence of social agents.Maria Elena Aramendia-Muneta, PhD, is Associate Professor in Business Management at Universidad Pública de Navarra. Her research focuses on circular fashion and digital marketing, particularly on implementing European standards to enhance sustainability. She has contributed to proposal calls such as Horizon 2020, Interreg, and Leonardo da Vinci.Irene Gómez-Cámara holds a degree in Tourism from the University of La Rioja, Spain, with a specialisation in Tourism Business Management and Services. She also holds a Master’s degree in Event Organization. She was a Research Staff member at the Public University of Navarra, in Tourism and Sustainability. Her work focuses on research and teaching topics related to tourism, with a focus on sustainability and business management.
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Media Asia
By Indumathi Somashekar Department of Media Studies, Christ University, Bangalore, IndiaIndumathi Somashekar is an Assistant Professor at the Department of Media Studies, Christ University, Bangalore, India.
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Media Asia
By Debosmita Saha Aditya Kumar Shukla a Operations Associate, Bhanzu, Bengaluru, Indiab Amity School of Communication, Amity University Madhya Pradesh, Gwalior, IndiaDebosmita Saha is an operations associate at Bhanzu, Bengaluru, India.Aditya Kumar Shukla is an Associate Professor of Media Studies at the Amity University Madhya Pradesh, Gwalior, India.
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Media Asia
By Fadli Agus Triansyah Nofriansyah Department of Economic Education, Universitas PendidikanIndonesia, Bandung, IndonesiaFadli Agus Triansyah is a doctoral candidate at the Department of Economic Education, Universitas Pendidikan Indonesia.Nofriansyah is a doctoral candidate at the same department and university.
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Media Asia
By Debdatta Chakraborty Sarbani Banerjee Department of Humanities and Social Sciences, Indian Institute of Technology Roorkee, Roorkee, Uttarakhand, IndiaDebdatta Chakraborty is a senior research fellow at the Department of Humanities and Social Sciences, Indian Institute of Technology Roorkee, Uttarakhand, India. She is working on the area of Bengali Dalit studies with a special focus on caste-gender intersectionality.Sarbani Banerjee is an Assistant Professor of English at the Department of Humanities and Social Sciences, Indian institute of Technology Roorkee, Uttarakhand, India. Her areas of specialization include postcolonial literature and theory, Canadian literature and culture, and post-partition Bengali literature and cinema.
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Media History
By Justito Adiprasetio Justito Adiprasetio, The Center for Communication, Media and Cultural Studies, Universitas Padjadjaran, Sumedang, Indonesia; School of Social Sciences, the University of Auckland, Auckland, New Zealand. E-mail justito.adiprasetio@auckland.ac.nz, justito.adiprasetio@unpad.ac.id
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Media History
By Ernest Makata Ernest Makata College of Journalism and Communication, University of Florida, 288 United States of America. E-mail makatae@ufl.edu
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Media History
By Ilia Uchitel Petro Yakovenko Ilia Uchitel, Institut für Slawistik und Kaukasusstudien, Friedrich-Schiller-Universität Jena, Jena, Ernst-Abbe-Platz 8, Jena 07743, Germany. E-mail: ilia.uchitel@uni-jena.dePetro Yakovenko, The Academic Library, The Dragomanov Ukrainian State University, Kyiv, Ukraine. E-Mail: p.y.yakovenko@udu.edu.ua
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Media History
By Burak Hergüner Burak Hergüner (author to whom correspondence should be addressed). Department of Political Science and Public Administration, Faculty of Economic and Administrative Sciences, İzmir Democracy University, İzmir, Turkey.
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Media History
By Iben Bjørnsson Iben Bjørnsson (author to whom correspondence should be addressed), Royal Danish Defence College, Institute for Strategy and War Studies, Ryvangs Allé 1, Copenhagen, Denmark. Iben Bjørnsson. E-mail: ibbj@fak.dk
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Media History
By Carolyn Birdsall Simone Dotto Carolyn Birdsall (author to whom correspondence should be addressed), Department of Media Studies, University of Amsterdam, Turfdraagsterpad 9, 1012 XT Amsterdam, Netherlands, E-mail: c.j.birdsall@uva.nlSimone Dotto, Department of Humanities and Cultural Heritage, Università degli studi di Udine, Palazzo Caiselli, vicolo Florio 2/b, 33100, Udine, Italy. E-mail: simone.dotto@uniud.it
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Media History
By Takao Terui Takao Terui, Academy of Film and Creative Technology, Xi'an Jiaotong Liverpool University, No.111, Ren'ai Road, Suzhou Dushu Lake Science and Education Innovation District, Jiangsu Province, China, 215123: E-mail; Takao.Terui@xjtlu.edu.cn.
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Media History
By Teresa Breathnach Teresa Breathnach, Dublin City Library and Archive, 138-144 Pearse Street, Dublin 2, Ireland. E-mail tbreathnach@hotmail.com
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New Review of Film and Television Studies
By Ryan Banfi The Martin Scorsese Cinema Studies Department, New York University, New York, NY, USARyan Banfi holds a PhD in Cinema Studies from The Martin Scorsese Cinema Studies Department at NYU. He is a Hispanic Scholarship Fund Scholar and is on the Games and Culture editorial board. Ryan’s writing has been published (or will be) in Critical Inquiry, Journal of Cinema and Media Studies, Afterimage, ImageTexT, Design Issues, Jump Cut, Contexts, Journal of Graphic Novels and Comics, Television & New Media, Games and Culture, Game Studies, and Mediapolis. He teaches film, TV, games, and comics studies at Emerson College and MassArt.
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New Review of Film and Television Studies
By Tomáš Jirsa Department of Theater and Film Studies, Palacký University Olomouc, CzechiaTomáš Jirsa is Associate Professor of Literary Studies at Palacký University Olomouc, where he directs the PhD Program in Film, Television, and Theater Studies. Interested in relations between literature and the visual arts, affect theory, and music video studies, his recent publications include Disformations: Affects, Media, Literature (Bloomsbury, 2021); Traveling Music Videos (Bloomsbury, 2024), co-edited with Mathias Korsgaard; Reconfiguring the Portrait (Edinburgh UP, 2023), co-edited with Abraham Geil; and How to Do Things with Affects (Brill, 2019), co-edited with Ernst van Alphen. His articles can be found in journals such as Music, Sound, and the Moving Image; Zeitschrift für Medien- und Kulturforschung; Central Europe; and Iluminace. In 2015 and 2017, he was awarded a junior fellowship from The International Research Institute for Cultural Techniques and Media Philosophy (IKKM) at Bauhaus University, Weimar; in 2019, he was Visiting Scholar at the Amsterdam School for Cultural Analysis (ASCA).
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New Review of Film and Television Studies
By Martial Fanga Agbor a University of Religions and Denominations, Qom, Iranb Danat Al Emarat Hospital Abu Dhabi, UAE
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New Review of Film and Television Studies
By Harrison Whitaker Centre for Film & Screen, University of Cambridge, Cambridge, UKHarrison Whitaker works as a writer and researcher for ITV. He recently completed his PhD in Film & Screen Studies at the University of Cambridge, where his research focused on the relationship between the politics of labour, gender, and type in New Hollywood cinema. His other work can be found in Critical Quarterly, Cambridge Quarterly, and the Historical Journal of Film, Radio, and Television.
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New Review of Film and Television Studies
By Bradley J. Dixon School of Media and Communication, RMIT University, Melbourne, AustraliaBradley J. Dixon is a Lecturer in Media at RMIT University, where he teaches and researches the intersection of media technologies with art, culture, labour, and the self. He completed his PhD in 2024 with a thesis examining parafictional persona in the comedian comedy.
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New Review of Film and Television Studies
By Casey Walker Department of Radio-Television-Film, Moody College of Communication, University of Texas at Austin, Austin, TX, USACasey Walker is a PhD student at the University of Texas at Austin in the Department of Radio-Television-Film. He is currently working on his dissertation, which explores classical Hollywood studio camera departments as networks of cultural and social capital. His work has been published in journals such as Monstrum, Media Industries, Dialogue, and Unbound. He lives in Austin, TX with his wife and three kids.
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Quarterly Review of Film and Video
By Samikhya Dash Soumya Jose Samikhya Dash is a Research Scholar in the Department of English, School of Humanities and Management, National Institute of Technology Andhra Pradesh, India. Ms. Dash’s research interests include film studies and trauma studies. Ms. Dash has published an anthology of her poems and has published articles and chapters in edited books.Dr. Soumya Jose is an Assistant Professor in the School of Humanities and Management, National Institute of Technology Andhra Pradesh, India. Dr. Jose’s research interests include film studies, African American theatre, First Nations theatre, gender studies, trauma studies, and diaspora studies.
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Quarterly Review of Film and Video
By Martin Holtz Martin Holtz is affiliated with the University of Graz in Austria as adjunct lecturer in American studies. He holds a PhD and a post-doctoral degree from the University of Greifswald in Germany and has published widely on American film and literature.
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Quarterly Review of Film and Video
By Sumanta Pramanik Shri Krishan Rai Sumanta Pramanik is a PhD Senior Research Fellow at the Department of Humanities and Social Sciences, National Institute of Technology Durgapur, India. He explores science fiction, speculative fiction, and fantasy fiction in his research pursuits. Email: sp.21hs1102@phd.nitdgp.ac.in, sumantapramanik103@gmail.comDr Shri Krishan Rai is an Associate Professor at the Department of Humanities and Social Sciences, National Institute of Technology, Durgapur, India. His research interests include cinema studies, postcolonial literature, and studies in religion and mythology. Email: skrai.hu@nitdgp.ac.in
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Quarterly Review of Film and Video
By Yuan Wei Vimala Perumal Zainudin Bin Siran Roopesh Sitharan Yuan Wei is currently pursuing her PhD at Multimedia University, Malaysia, within the Faculty of Creative Multimedia. Her research centers on the study of Chinese animation, examining its cultural roots, technological advancements, and evolving visual language. She explores how traditional Chinese cultural elements are represented and transformed in contemporary animated works, particularly in the context of globalization and technological innovation. Yuan's work delves deeply into how animation technology can be used to preserve and promote cultural identity while embracing modern storytelling techniques. She is passionate about bridging the gap between tradition and innovation in the animation industry. She has co-authored several research publications and actively participates in academic conferences and colloquiums.Vimala Perumal, PTech., PhD., is an artist on a diverse creative journey. After graduating from Multimedia University as a Yayasan TM alumni in 2004, she has explored various artistic paths. Her early success in filmmaking, particularly in portraying Malaysian Indian life, received recognition at various International Film Festivals. Vimala's background is a reflection of her diverse heritage; she comes from a mixed parental background, with her father of Indian descent and her mother of Chinese origin. This cultural blend has greatly influenced her perspective and artistic expression. Currently serving humbly as the Deputy Dean at the Faculty of Creative Multimedia, Multimedia University (MMU), she also humbly leads as the Editor-in-Chief at the International Journal of Creative Multimedia (IJCM) under MMU Press. With a genuine commitment to creativity and a humble spirit, Dr. Vimala's ongoing artistic journey continues to inspire.Dr. Zainudin Bin Siran is a Senior Lecturer at Multimedia University, specializing in product design, usability, and design thinking. With over 13 years of industry experience, he leads the Product Innovation Design Center and coordinates the Interface Design Programme. His research focuses on usability interaction and design thinking models.
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Quarterly Review of Film and Video
By Said Chemlal Faculty of Arts and Humanities, Dhar El Mahraz, Sidi Mohamed Ben Abdellah University, Fez, MoroccoSaid Chemlal is a professor of English and Film Studies at the Faculty of Arts and Humanities, Dhar El Mahraz, Sidi Mohamed Ben Abdellah University, Fez, Morocco. He earned his Ph.D. degree from the same university (2019) with a dissertation on Moroccan women’s cinema. He is the co-editor of a special issue of The Moroccan Cultural Studies Journal on Moroccan cinema (November 2017). Chemlal widely publishes on Moroccan cinema (in Arabic) in Moroccan and Arab journals and edited books. His articles in English have been published in The Journal of North African Studies, Journal of African Cinemas, Middle East Critique, and Studies in European Cinema. His interests include film studies, cultural studies, Amazigh culture, gender, and urban space.
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Studies in Documentary Film
By Enrique Fibla Gutierrez Communication Studies, Universitat Autònoma de Barcelona (UAB), Barcelona, SpainEnrique Fibla Gutierrez is a Film historian specialised on the intersection between visual culture, archive and memory studies. He hols a PhD in Film Studies by Concordia University Montreal (Governor General Gold Medal Award), and a Master of Arts in Cinema Studies by San Francisco State University. He has published in the Journal of Spanish Cultural Studies, Film History or Screen, among others, and is co-editor with Masha Salazkina of the book Global Perspectives on Amateur Film Histories and Cultures (Indiana University Press, 2021). From 2018 to 2021 he directed the research project ‘Artisans of cinema’ at the Elías Querejeta Zine Eskola of San Sebastian (EQZE). He is the author of the essay biography Los años imposibles. Memoria inacabada de Juan Piqueras (Barlin Libros and Filmoteca de València, 2022). In 2024, Dr. Fibla joined the Audiovisual Communication and Advertisement Department of the Univeristat Autònoma de Barcelona (UAB) as Assistant Professor (tenure-track). In 2024 he codirected the research and curatorial project ‘Centenary of Amateur Cinema’ at the Filmoteca de Catalunya.
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Studies in Documentary Film
By Hideaki Fujiki Graduate School of Humanities, Nagoya University, Nagoya, JapanHideaki Fujiki is professor of screen studies at Nagoya University. His books include Making Audiences: A Social History of Japanese Cinema and Media (2022) and Making Personas: Transnational Film Stardom in Modern Japan (2013), and The Japanese Cinema Book (co-edited with Alastair Phillips, 2020). His recent essays include ‘Contesting Screens of Energy: Gaia, the Commons and Infrastructure,’ Screen 66, no. 1 (Spring 2025); ‘Diverging Imaginations of Planetary Change: The Media Franchise of Japan Sinks,’ in Eco-Disasters in Japanese Cinema (2025); and ‘Memory Boom and Media Ecology after the 3/11 Fukushima Disaster,’ in Brill’s Handbook of Memory Studies in East Asia (forthcoming).
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Studies in Documentary Film
By Muh Nuzul Adri Syamsuddin Aziz Alem Febri Sonni Department of Communication Studies, Hasanuddin University, Makassar, Indonesia
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Studies in Documentary Film
By Conn Holohan Mairéad Hogan David Kelly Marianne Kennedy Charlotte Silke a Huston School of Film & Digital Media, University of Galway, Galway, Irelandb J.E. Cairnes School of Business & Economics, University of Galway, Galway, Irelandc Centre for Creative Technologies, University of Galway, Galway, Irelandd Drama and Theatre Studies, University of Galway, Galway, Irelande UNESCO Child & Family Research Centre, University of Galway, Galway, IrelandConn Holohan is Director of the Centre for Creative Technologies at the University of Galway. His publications focus on the onscreen representations of home in cinema and immersive media. He has led a number of co-created film projects working with homeless organizations and is the lead researcher on the cross-disciplinary Immersive Empathy project.Mairéad Hogan is a lecturer in Business Information Systems within the J.E. Cairnes School of Business & Economics at University of Galway. Her research mainly focuses on various areas of User Experience Design (UXD). Her research contributions include work on group collaboration, digital accessibility, and ethical design practices, with publications in fields related to both UX and education.David Kelly is Project Lead at the Centre for Creative Technologies, and Digital Humanities Manager at University of Galway. He is a designer and developer with more than 15 years’ experience in designing and building innovative digital projects with researchers from the Arts & Humanities to enable and better communicate their research. He has previously published on a variety of digital humanities-related topics, data visualization design, open source software, and technology innovation adoption.Marianne Kennedy, is a theatre director and producer and lecturer in Drama and Theatre Studies, in the University of Galway. She is the current Creative Director of The O’Donoghue Centre for Drama, Theatre and Performance and Artistic Director of the University of Galway’s ‘Arts in Action,’ programme. Her research interests include contemporary Irish language and multilingual theatre, Arts Management, Theatre for Young Audiences and Irish and International Arts policy and Theatre Producing.Charlotte Silke is a researcher with the UNESCO Child & Family Research Centre, at the University of Galway, who specializes in research relating to youth’s social and emotional development. Charlotte has acted as the lead researcher on several projects exploring important topics such as youth mental health, empathy, and youth mentoring. In her work, Charlotte frequently collaborates with applied partners, including schools, youth organizations and health service providers, which underscores her commitment to ensuring that research is applied, with real-world relevance.
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Studies in Documentary Film
By Joseph Aketema Department of Film and Television Techniques, Institute of Film and Television,University of Media Arts and Communication, Accra, GhanaJoseph Aketema, A lecturer at UniMAC – Institute of Film and Television (PhD, M.Phil. M.A, BFA, DIP) Taught Research Methods and documentary filmmaking at the University of Ghana, Legon. He is currently Teaching Science Communication, Screen Writing, General introduction to African Studies, and Research Methods at the University of Media Arts and Communication UniMAC – Institute of Film and Television (IFT Branch), Ghana. His research interest is in media and cultural studies. Joseph Aketema has made presentations at both the local and international levels on themes of Afrocentricity, history, media and culture.
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Studies in Documentary Film
By Anna Huth Christoph Huth a Kieślowski Film School, Uniwersytet Slaski w Katowicach, Katowice, Polandb OFOKLES GbR, SOFOKLES GbR, GermanyAnna Huth, PhD. is an academic at the Kieslowski Film School, University of Silesia in Katowice, Poland. She holds a doctorate in political science and administration from the University of Silesia. Anna completed postgraduate studies at the German Film and Television Academy (DFFB) in Berlin, focusing on film distribution markets. She is an expert for Creative Europe MEDIA in the European Co-Development programme. Anna has taught at several universities, including the University of Erfurt, DMJX in Copenhagen, and since 2023, at the University of Vienna, where she teaches courses on documentary film distribution.Christoph Huth, M.A. studied educational science, psychology and sociology. He has been engaged for over seven years in small-scale statistical analyses in the social, educational and health sectors, as well as in the design of surveys and evaluation frameworks – initially as a research associate at a university, and later in municipal consulting and market research. He is a co-founder of SOFOKLES, where he develops research designs and conducts data analyses.
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Studies in Documentary Film
By Kathleen M. Ryan David Staton a University of Colorado Boulder, Boulder, USAb University of Northern Colorado, Greeley, USAKathleen M. Ryan is a documentary filmmaker with more than 20 years of experience in network and local news. Her research and creative work focus on transformations in storytelling due to shifting media technologies. Specifically, she explores the intersection of theory and praxis within evolving media forms such as the interactive documentary (i-doc). Her hybrid projects deal with issues of gender, self-identity, oral history, visuality, and user/participant agency. Ryan has been recognized for excellence in both her professional and academic work, receiving grants from the National Endowment for the Humanities, the National Association of Broadcasters PILOT Program, and the Ohio Humanities Council. Her book Pin Up! The Subculture (Ryan, ) was named as the 2021 Diane S. Hope Book of the Year award from the National Communication Association's Visual Communication Division. She‘s received awards of merit for her feature films and i-docs from Broadcast Education Association and Popular Culture Association, has received best documentary awards at several film festivals, and was a New England Emmy nominee for her news production. Her current project is an oral history of women landscape photographers. Ryan holds a PhD in communication and society from the University of Oregon, an MA in broadcast journalism from the University of Southern California, and a BA in political science from the University of California, Santa Barbara.David Staton began his career as the intern that never left at the Albuquerque Journal. He later became a staff arts and feature writer at the paper before going on to write for a variety of magazines, websites and newsletters. As a journalist, he has shared stories across platforms, from web ‘mini documentaries’ to full-length film projects, from ‘puff’ pieces to breaking news. He has produced and/or written screenplays for three full-length documentary films, the most recent of which, Pin Up! The Movie has screened at film festivals internationally. Summer of 2020 marked the completion of his first solo-directed documentary short, Ghost Resort. It has been screened at national and international festivals. An Associate Professor at the University of Northern Colorado, he completed his PhD at the University of Oregon. He's also acted as an adjunct instructor in CU, Boulder's College of Media, Communication and Information teaching skills courses and at Miami University.