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Feminist Media Studies
By Assaf Lev Esther Hertzog Moshe Levy a Department of Sports Therapy, Ono Academic College, Kiryat Ono, Israelb Department of Behavioral Science, Zefat Academic College, Zefat, Israelc Department of Sociology and Anthropology, Ariel University, Ariel, IsraelAssaf Lev is a Sport & Exercise Anthropologist and the Vice-Dean of Research for the Faculty of Health Professions, Department of Sports Therapy, Ono Academic College. As a former professional basketball player, and current distance runner and sports therapist, his research interests focus on embodied experiences of pain, exercise, physical activity, gender, and aging.Esther Hertzog, Zefat Academic College. I am a social anthropologist, teaching and studying bureaucracy and gender, in the contexts of welfare, education, politics, the Holocaust and sports. My recent publications are: Women in Israel: Social issues and feminist struggles (2023, in Hebrew); State violence toward mothers and children (2021, in Hebrew).Moshe Levy is a Senior Lecturer at Ariel University. In recent years, he has served as the Editor of the Journal of Social Issues in Israel. His research, focusing on the sociology of Israeli society, sociology of gambling and chance, and sociology of Sport, was published in more than 40 peer-reviewed journals and chapters in collected editions.
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Feminist Media Studies
By Alison Harvey Erika Chung Stephanie Fisher a Communications, York University, Toronto, Canadab Communication and Culture, Toronto Metropolitan University, Toronto, Canadac Faculty of Education, York University, Toronto, CanadaAlison Harvey is Associate Professor in the Communications program at Glendon College, York University. Her research and teaching focuses on issues of inclusivity and accessibility in digital culture, with an emphasis on gender and labour in digital games. She is the author of Gender, Age, and Digital Games in the Domestic Context (2015, Routledge) and Feminist Media Studies (2019, Polity). Her work has also appeared in a range of interdisciplinary journals, including New Media & Society, Games & Culture, International Journal of Cultural Studies, Feminist Media Studies, Information, Communication & Society, Social Media & Society, and Studies in Social Justice. She is also currently the president of the Canadian Game Studies Association.Erika Chung is a Writing and Language Support and Graduate Student Support Facilitator at Toronto Metropolitan University. Her doctoral research focused on the intersectionality of race and gender in comic book fan culture, specifically the experiences of women of colour in the fandom. Her research interests include feminist media studies, popular culture, and issues regarding representation. She has contributed a chapter to the upcoming second edition of The Routledge Companion to Media Fandom, and has published in the Journal of Cultural Analysis and Social Change, Canadian Journal of Communication, Panic at the Discourse and Women Write About Comics.Stephanie Fisher is a Co-Director at Pixelles, a non-profit organization dedicated to supporting women and improving gender diversity in the games industry. In collaboration with video game community groups, organizations, scholars and industry partners, she creates community-driven, inclusivity-focused initiatives that support underrepresented game makers. She holds a PhD from the Faculty of Education, York University. Her research on gender and games has been published in Feminist Media Studies, Learning, Media & Technology, and Loading
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Feminist Media Studies
By Guangquan Zheng Department of Adult & Continuing Education, National Taiwan Normal University, Taipei, TaiwanGuangquan Zheng is a Ph.D. candidate in the Department of Adult & Continuing Education at National Taiwan Normal University. He served as the Editor-in-Chief of Electronic Commerce Times. His research interests are based on the unique social context of Asia and focus on exploring gender representations within media organizations, the portrayal of gender roles in film and TV dramas, and subcultures studies. His current work involves researching occupational sex segregation in TV news channels and studying the Tanbi/BL culture.
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Feminist Media Studies
By Vítor Blanco-Fernández Faculty of Information and Audiovisual Media, Universitat de Barcelona Ringgold standard institution, Barcelona, SpainVítor Blanco-Fernández is a postdoctoral fellow at Barcelona University (Faculty of Information and Audiovisual Media). They hold a PhD in Communication (UPF, 2024), and a MA in Media, Power, and Difference (UPF, 2019). They are members of the research projects SEXMEDIA (UB), KALEIDOSCOPE (UB), and InfoSexHealth (UB). Their main research line is LGBTIQA+/Queer Media Studies.
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Feminist Media Studies
By Camille Ruiz Mangual Department of Communication, University of South Florida, Tampa, FL, USACamille Ruiz Mangual is a PhD candidate in the University of South Florida’s Department of Communication. Her research lies at the intersections of Feminist Media Studies, Critical/Cultural Studies, and Latina/o/x/e Studies, focusing on how popular culture media construct and represent Latina/o/x/e identities. She examines Latina/o/x/e representation in popular culture streaming television through critical textual analysis, a survey of U.S. Latina/o/x/e audiences on representation perceptions, and actionable recommendations to make Latina/o/x/e media studies scholarship more accessible to broader communities. She holds an M.A. in Communication from USF and a B.A. in English (Creative Writing) with a minor in Writing and Rhetoric from the University of Central Florida.
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Feminist Media Studies
By Haiyan Feng Songyan Liu Xiangjian Zeng a School of Journalism and Communication, Xiamen University, Xiamen, Fujian Province, Chinab School of Journalism and Communication, Renmin University of China, Beijing, ChinaHaiyan Feng is an Assistant Professor at the School of Journalism and Communication at Xiamen University, China. She holds a Ph.D. from Tsinghua University, and her research focuses on gender and sexuality studies, cross-cultural communication, and computational communication.Songyan Liu is a post-doc in School of Journalism & Communication of Renmn University of China, Beijing, China. With a Ph.D. from Tsinghua University, Dr. Liu’s research focuses on cross-cultural communication and place branding.Xiangjian Zeng is an Assistant Engineer in the School of Journalism & Communication of Xiamen University, Xiamen, China. With a master’s degree from Beijing University of Posts and Telecommunications, Mr. Zeng’s research focuses on big data mining and machine learning.
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Feminist Media Studies
By Damien W. Riggs Claudia Ciccarello Monica Cations College of Education, Psychology and Social Work, Flinders University, Adelaide, South Australia, AustraliaDamien W. Riggs is a professor at Flinders University and the author of over 200 publications on gender, family, and wellbeing. Damien is also a psychotherapist who specialises in working with trans young people.Claudia Ciccarello is a PhD candidate at Flinders University and a provisionally registered psychologist.Monica Cations is a clinical psychologist and epidemiologist who conducts translational research and clinical practice with older adults and people living with dementia.
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Feminist Media Studies
By Anna Kuteleva School of Social Science and Humanities, University of Wolverhampton, Wolverhampton, UKAnna Kuteleva is an interdisciplinary scholar whose work intertwines international relations, development studies, energy security, and feminist-informed approaches to politics. Her research centres on the nexus between politics and sociocultural contexts in international relations and develops a cross-disciplinary methodological toolkit around the concept of discursive politics. In 2022, she joined the University of Wolverhampton in the UK as a senior lecturer in International Relations. Previously, she obtained a Ph.D. in Political Science from the University of Alberta in Canada and held a post-doctoral fellowship at the National Research University Higher School of Economics in Russia.
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Historical Journal of Film, Radio and Television
By Rasmus Greiner Dr. Rasmus Greiner is associate professor in film studies at University of Bremen, Germany. His areas of research comprise audio-visual history, global film culture, war movies, genre studies, and film aesthetics. He is founder and general editor of the open access journal Research in Film and History (www.film-history.org). His recent publications include his book Cinematic Histospheres. On the Theory and Practice of Historical Films (Palgrave Macmillan 2021) and the edited volumes Reality Unbound: New Departures in Science Fiction Cinema (ed. with Aidan Power et al., Bertz + Fischer 2017), Film and History: Producing and Experiencing History in Moving Images and Sound (ed. with Winfried Pauleit et al., Bertz + Fischer 2015), and the article ‘Sonic Histospheres: Sound Design and History’ (in: Research in Film and History, https://film-history.org/approaches/sonic-histospheres, 2018).
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Historical Journal of Film, Radio and Television
By Tatiana Astafeva Tatiana Astafeva is a research fellow at the University of Bremen, where she worked on the DFG-funded research project ‘German Film Comedy after the Third Reich’ (2021–2024). She is also an editor of the OA journal Research in Film and History. Previously, Astafeva was a researcher in the project ‘Audiovisual Histospheres’ (2019–2020), which was funded by the German Federal Ministry of Education and Research. She completed her doctorate at Film University Babelsberg Konrad Wolf and was awarded a scholarship by the Brandenburg Center for Media Studies (ZeM, 2016–2019).
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Historical Journal of Film, Radio and Television
By Yuhui Wang Yuhui Wang is a PhD candidate from City University of Hong Kong, the School of Creative Media. Her research interests include media culture and film history. Her dissertation mainly focused on the cultural reception of Hollywood in Republican China. Her articles have been published in the Journal of Chinese Film Studies and the Journal of Beijing Film Academy.
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Historical Journal of Film, Radio and Television
By Yeidy M. Rivero Yeidy M. Rivero is a Professor in the Department of Film, Television, and Media at the University of Michigan-Ann Arbor. Her research focuses on media history, media and globalization, and race and ethnic representations in media. She is the author of Tuning Out Blackness: Race and Nation in the History of Puerto Rican Television (Duke University Press, 2005) and Broadcasting Modernity: Cuban Commercial Television, 1950–1960 (Duke University Press, 2015). Additionally, Rivero co-edited (with Arlene Dávila) Contemporary Latino Media: Production, Circulation, Politics (New York University Press, 2015). Her current book in progress is Nueva Yores: New York City’s Media and the Representation of Latina/o Identities, 1960s-1990s.
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Media Asia
By Awang Ruswandi Department of Communication, Universitas Indonesia, Jakarta, IndonesiaAwang Ruswandi is a lecturer of Department of Communication, Universitas Indonesia. He has been doing reseacrh on freedom of the press since 1999 to the present and the result of his studies were used for his thesis and disertassion, among others.
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Media Asia
By Shashank S. A. Navreet Kaur Sahi Chitrakoot School of Liberal Arts, Shoolini University, IndiaShashank S. A. is a doctoral scholar specializing in prison literature at the Chitrakoot School of Liberal Arts, Shoolini University, India. His research focuses on narratives of incarceration and systemic oppression in literature and media.Navreet Kaur Sahi is an Associate Professor at the Chitrakoot School of Liberal Arts, Shoolini University, India. Her academic interests include media studies, caste discourse, Holocaust literature, and social hierarchies in contemporary literature and film.
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Media Asia
By Normahfuzah Ahmad S. Maartandan Suppiah School of Multimedia Technology and Communication, Universiti Utara Malaysia, Changlun, MalaysiaNormahfuzah Ahmad is a senior lecturer at the School of Multimedia Technology and Communication, Universiti Utara Malaysia (UUM), Malaysia where she teaches media and journalism courses.S. Maartandan Suppiah is a senior lecturer at the School of Multimedia Technology and Communication, Universiti Utara Malaysia (UUM), Malaysia. He teaches communication courses at the institution.
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Media Asia
By Alaitz Gutierrez-Jauregi Maria Elena Aramendia-Muneta Irene Gómez-Cámara Gestión de Empresas, Universidad Pública de Navarra, Pamplona, SpainAlaitz Gutierrez-Jauregi is a graduate of the International Bachelor’s degree in Business Administration and Economics and a Master’s in Business Management from the Public University of Navarre. During her studies, she received two university collaboration grants, the first in the Department of Economics, researching anthropometry and living standards in rural areas, and the second in the Department of Business Management, exploring children’s Internet usage and the influence of social agents.Maria Elena Aramendia-Muneta, PhD, is Associate Professor in Business Management at Universidad Pública de Navarra. Her research focuses on circular fashion and digital marketing, particularly on implementing European standards to enhance sustainability. She has contributed to proposal calls such as Horizon 2020, Interreg, and Leonardo da Vinci.Irene Gómez-Cámara holds a degree in Tourism from the University of La Rioja, Spain, with a specialisation in Tourism Business Management and Services. She also holds a Master’s degree in Event Organization. She was a Research Staff member at the Public University of Navarra, in Tourism and Sustainability. Her work focuses on research and teaching topics related to tourism, with a focus on sustainability and business management.
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Media Asia
By Indumathi Somashekar Department of Media Studies, Christ University, Bangalore, IndiaIndumathi Somashekar is an Assistant Professor at the Department of Media Studies, Christ University, Bangalore, India.
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Media Asia
By Debosmita Saha Aditya Kumar Shukla a Operations Associate, Bhanzu, Bengaluru, Indiab Amity School of Communication, Amity University Madhya Pradesh, Gwalior, IndiaDebosmita Saha is an operations associate at Bhanzu, Bengaluru, India.Aditya Kumar Shukla is an Associate Professor of Media Studies at the Amity University Madhya Pradesh, Gwalior, India.
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Media Asia
By Fadli Agus Triansyah Nofriansyah Department of Economic Education, Universitas PendidikanIndonesia, Bandung, IndonesiaFadli Agus Triansyah is a doctoral candidate at the Department of Economic Education, Universitas Pendidikan Indonesia.Nofriansyah is a doctoral candidate at the same department and university.
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Media Asia
By Debdatta Chakraborty Sarbani Banerjee Department of Humanities and Social Sciences, Indian Institute of Technology Roorkee, Roorkee, Uttarakhand, IndiaDebdatta Chakraborty is a senior research fellow at the Department of Humanities and Social Sciences, Indian Institute of Technology Roorkee, Uttarakhand, India. She is working on the area of Bengali Dalit studies with a special focus on caste-gender intersectionality.Sarbani Banerjee is an Assistant Professor of English at the Department of Humanities and Social Sciences, Indian institute of Technology Roorkee, Uttarakhand, India. Her areas of specialization include postcolonial literature and theory, Canadian literature and culture, and post-partition Bengali literature and cinema.
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Media History
By Ilia Uchitel Petro Yakovenko Ilia Uchitel, Institut für Slawistik und Kaukasusstudien, Friedrich-Schiller-Universität Jena, Jena, Ernst-Abbe-Platz 8, Jena 07743, Germany. E-mail: ilia.uchitel@uni-jena.dePetro Yakovenko, The Academic Library, The Dragomanov Ukrainian State University, Kyiv, Ukraine. E-Mail: p.y.yakovenko@udu.edu.ua
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Media History
By Burak Hergüner Burak Hergüner (author to whom correspondence should be addressed). Department of Political Science and Public Administration, Faculty of Economic and Administrative Sciences, İzmir Democracy University, İzmir, Turkey.
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Media History
By Iben Bjørnsson Iben Bjørnsson (author to whom correspondence should be addressed), Royal Danish Defence College, Institute for Strategy and War Studies, Ryvangs Allé 1, Copenhagen, Denmark. Iben Bjørnsson. E-mail: ibbj@fak.dk
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Media History
By Carolyn Birdsall Simone Dotto Carolyn Birdsall (author to whom correspondence should be addressed), Department of Media Studies, University of Amsterdam, Turfdraagsterpad 9, 1012 XT Amsterdam, Netherlands, E-mail: c.j.birdsall@uva.nlSimone Dotto, Department of Humanities and Cultural Heritage, Università degli studi di Udine, Palazzo Caiselli, vicolo Florio 2/b, 33100, Udine, Italy. E-mail: simone.dotto@uniud.it
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Media History
By Takao Terui Takao Terui, Academy of Film and Creative Technology, Xi'an Jiaotong Liverpool University, No.111, Ren'ai Road, Suzhou Dushu Lake Science and Education Innovation District, Jiangsu Province, China, 215123: E-mail; Takao.Terui@xjtlu.edu.cn.
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Media History
By Teresa Breathnach Teresa Breathnach, Dublin City Library and Archive, 138-144 Pearse Street, Dublin 2, Ireland. E-mail tbreathnach@hotmail.com
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Media History
By Peter Putnis John Jenks Peter Putnis, News and Media Research Centre, University of Canberra, Canberra 2617, Australia. E-mail: Peter.Putnis@canberra.edu.auJohn Jenks, Communication Arts and Sciences, Dominican University, River Forest 60305-1066, United States. E-mail: jjenks@dom.edu
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Media History
By Conall Ó Fátharta Conall Ó Fátharta, Department of Media Studies, Maynooth University, Maynooth, Co. Kildare, Ireland. E-mail: conall.ofatharta.2022@mumail.ie
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New Review of Film and Television Studies
By Casey Walker Department of Radio-Television-Film, Moody College of Communication, University of Texas at Austin, Austin, TX, USACasey Walker is a PhD student at the University of Texas at Austin in the Department of Radio-Television-Film. He is currently working on his dissertation, which explores classical Hollywood studio camera departments as networks of cultural and social capital. His work has been published in journals such as Monstrum, Media Industries, Dialogue, and Unbound. He lives in Austin, TX with his wife and three kids.
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Quarterly Review of Film and Video
By Martin Holtz Martin Holtz is affiliated with the University of Graz in Austria as adjunct lecturer in American studies. He holds a PhD and a post-doctoral degree from the University of Greifswald in Germany and has published widely on American film and literature.
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Quarterly Review of Film and Video
By Sumanta Pramanik Shri Krishan Rai Sumanta Pramanik is a PhD Senior Research Fellow at the Department of Humanities and Social Sciences, National Institute of Technology Durgapur, India. He explores science fiction, speculative fiction, and fantasy fiction in his research pursuits. Email: sp.21hs1102@phd.nitdgp.ac.in, sumantapramanik103@gmail.comDr Shri Krishan Rai is an Associate Professor at the Department of Humanities and Social Sciences, National Institute of Technology, Durgapur, India. His research interests include cinema studies, postcolonial literature, and studies in religion and mythology. Email: skrai.hu@nitdgp.ac.in
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Quarterly Review of Film and Video
By Yuan Wei Vimala Perumal Zainudin Bin Siran Roopesh Sitharan Yuan Wei is currently pursuing her PhD at Multimedia University, Malaysia, within the Faculty of Creative Multimedia. Her research centers on the study of Chinese animation, examining its cultural roots, technological advancements, and evolving visual language. She explores how traditional Chinese cultural elements are represented and transformed in contemporary animated works, particularly in the context of globalization and technological innovation. Yuan's work delves deeply into how animation technology can be used to preserve and promote cultural identity while embracing modern storytelling techniques. She is passionate about bridging the gap between tradition and innovation in the animation industry. She has co-authored several research publications and actively participates in academic conferences and colloquiums.Vimala Perumal, PTech., PhD., is an artist on a diverse creative journey. After graduating from Multimedia University as a Yayasan TM alumni in 2004, she has explored various artistic paths. Her early success in filmmaking, particularly in portraying Malaysian Indian life, received recognition at various International Film Festivals. Vimala's background is a reflection of her diverse heritage; she comes from a mixed parental background, with her father of Indian descent and her mother of Chinese origin. This cultural blend has greatly influenced her perspective and artistic expression. Currently serving humbly as the Deputy Dean at the Faculty of Creative Multimedia, Multimedia University (MMU), she also humbly leads as the Editor-in-Chief at the International Journal of Creative Multimedia (IJCM) under MMU Press. With a genuine commitment to creativity and a humble spirit, Dr. Vimala's ongoing artistic journey continues to inspire.Dr. Zainudin Bin Siran is a Senior Lecturer at Multimedia University, specializing in product design, usability, and design thinking. With over 13 years of industry experience, he leads the Product Innovation Design Center and coordinates the Interface Design Programme. His research focuses on usability interaction and design thinking models.
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Quarterly Review of Film and Video
By Said Chemlal Faculty of Arts and Humanities, Dhar El Mahraz, Sidi Mohamed Ben Abdellah University, Fez, MoroccoSaid Chemlal is a professor of English and Film Studies at the Faculty of Arts and Humanities, Dhar El Mahraz, Sidi Mohamed Ben Abdellah University, Fez, Morocco. He earned his Ph.D. degree from the same university (2019) with a dissertation on Moroccan women’s cinema. He is the co-editor of a special issue of The Moroccan Cultural Studies Journal on Moroccan cinema (November 2017). Chemlal widely publishes on Moroccan cinema (in Arabic) in Moroccan and Arab journals and edited books. His articles in English have been published in The Journal of North African Studies, Journal of African Cinemas, Middle East Critique, and Studies in European Cinema. His interests include film studies, cultural studies, Amazigh culture, gender, and urban space.
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Quarterly Review of Film and Video
By Faith Boyte Faith Boyte is a PhD candidate at the University of Florida. Her research focuses on representations of men and masculinity in contemporary women’s filmmaking.
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Quarterly Review of Film and Video
By Ronald S. Green Ronald S. Green is Professor and Chair of Philosophy and Religious Studies at Coastal Carolina University. He holds a PhD in Buddhist Studies from the University of Wisconsin-Madison and specializes in Buddhism and film, East Asian religious traditions, and ethnographic approaches to religion. He is the author of Buddhism Goes to the Movies (Routledge, 2014) and numerous articles exploring representations of Buddhism in cinema.
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Quarterly Review of Film and Video
By Younes Poorghorban Younes Poorghorban is a PhD candidate at Victoria University of Wellington, specialising in historical adaptations of Oscar Wilde’s The Picture of Dorian Gray. His research explores themes of homoeroticism and aestheticism in Wildean adaptations across literature, theatre, and film. His broader interests include Neo-Victorian literature, Gothic studies, Ecocriticism, and the intersections of art and identity in modern and historical contexts.
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Studies in Documentary Film
By Muh Nuzul Adri Syamsuddin Aziz Alem Febri Sonni Department of Communication Studies, Hasanuddin University, Makassar, Indonesia
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Studies in Documentary Film
By Conn Holohan Mairéad Hogan David Kelly Marianne Kennedy Charlotte Silke a Huston School of Film & Digital Media, University of Galway, Galway, Irelandb J.E. Cairnes School of Business & Economics, University of Galway, Galway, Irelandc Centre for Creative Technologies, University of Galway, Galway, Irelandd Drama and Theatre Studies, University of Galway, Galway, Irelande UNESCO Child & Family Research Centre, University of Galway, Galway, IrelandConn Holohan is Director of the Centre for Creative Technologies at the University of Galway. His publications focus on the onscreen representations of home in cinema and immersive media. He has led a number of co-created film projects working with homeless organizations and is the lead researcher on the cross-disciplinary Immersive Empathy project.Mairéad Hogan is a lecturer in Business Information Systems within the J.E. Cairnes School of Business & Economics at University of Galway. Her research mainly focuses on various areas of User Experience Design (UXD). Her research contributions include work on group collaboration, digital accessibility, and ethical design practices, with publications in fields related to both UX and education.David Kelly is Project Lead at the Centre for Creative Technologies, and Digital Humanities Manager at University of Galway. He is a designer and developer with more than 15 years’ experience in designing and building innovative digital projects with researchers from the Arts & Humanities to enable and better communicate their research. He has previously published on a variety of digital humanities-related topics, data visualization design, open source software, and technology innovation adoption.Marianne Kennedy, is a theatre director and producer and lecturer in Drama and Theatre Studies, in the University of Galway. She is the current Creative Director of The O’Donoghue Centre for Drama, Theatre and Performance and Artistic Director of the University of Galway’s ‘Arts in Action,’ programme. Her research interests include contemporary Irish language and multilingual theatre, Arts Management, Theatre for Young Audiences and Irish and International Arts policy and Theatre Producing.Charlotte Silke is a researcher with the UNESCO Child & Family Research Centre, at the University of Galway, who specializes in research relating to youth’s social and emotional development. Charlotte has acted as the lead researcher on several projects exploring important topics such as youth mental health, empathy, and youth mentoring. In her work, Charlotte frequently collaborates with applied partners, including schools, youth organizations and health service providers, which underscores her commitment to ensuring that research is applied, with real-world relevance.
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Studies in Documentary Film
By Joseph Aketema Department of Film and Television Techniques, Institute of Film and Television,University of Media Arts and Communication, Accra, GhanaJoseph Aketema, A lecturer at UniMAC – Institute of Film and Television (PhD, M.Phil. M.A, BFA, DIP) Taught Research Methods and documentary filmmaking at the University of Ghana, Legon. He is currently Teaching Science Communication, Screen Writing, General introduction to African Studies, and Research Methods at the University of Media Arts and Communication UniMAC – Institute of Film and Television (IFT Branch), Ghana. His research interest is in media and cultural studies. Joseph Aketema has made presentations at both the local and international levels on themes of Afrocentricity, history, media and culture.
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Studies in Documentary Film
By Anna Huth Christoph Huth a Kieślowski Film School, Uniwersytet Slaski w Katowicach, Katowice, Polandb OFOKLES GbR, SOFOKLES GbR, GermanyAnna Huth, PhD. is an academic at the Kieslowski Film School, University of Silesia in Katowice, Poland. She holds a doctorate in political science and administration from the University of Silesia. Anna completed postgraduate studies at the German Film and Television Academy (DFFB) in Berlin, focusing on film distribution markets. She is an expert for Creative Europe MEDIA in the European Co-Development programme. Anna has taught at several universities, including the University of Erfurt, DMJX in Copenhagen, and since 2023, at the University of Vienna, where she teaches courses on documentary film distribution.Christoph Huth, M.A. studied educational science, psychology and sociology. He has been engaged for over seven years in small-scale statistical analyses in the social, educational and health sectors, as well as in the design of surveys and evaluation frameworks – initially as a research associate at a university, and later in municipal consulting and market research. He is a co-founder of SOFOKLES, where he develops research designs and conducts data analyses.
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Studies in Documentary Film
By Kathleen M. Ryan David Staton a University of Colorado Boulder, Boulder, USAb University of Northern Colorado, Greeley, USAKathleen M. Ryan is a documentary filmmaker with more than 20 years of experience in network and local news. Her research and creative work focus on transformations in storytelling due to shifting media technologies. Specifically, she explores the intersection of theory and praxis within evolving media forms such as the interactive documentary (i-doc). Her hybrid projects deal with issues of gender, self-identity, oral history, visuality, and user/participant agency. Ryan has been recognized for excellence in both her professional and academic work, receiving grants from the National Endowment for the Humanities, the National Association of Broadcasters PILOT Program, and the Ohio Humanities Council. Her book Pin Up! The Subculture (Ryan, ) was named as the 2021 Diane S. Hope Book of the Year award from the National Communication Association's Visual Communication Division. She‘s received awards of merit for her feature films and i-docs from Broadcast Education Association and Popular Culture Association, has received best documentary awards at several film festivals, and was a New England Emmy nominee for her news production. Her current project is an oral history of women landscape photographers. Ryan holds a PhD in communication and society from the University of Oregon, an MA in broadcast journalism from the University of Southern California, and a BA in political science from the University of California, Santa Barbara.David Staton began his career as the intern that never left at the Albuquerque Journal. He later became a staff arts and feature writer at the paper before going on to write for a variety of magazines, websites and newsletters. As a journalist, he has shared stories across platforms, from web ‘mini documentaries’ to full-length film projects, from ‘puff’ pieces to breaking news. He has produced and/or written screenplays for three full-length documentary films, the most recent of which, Pin Up! The Movie has screened at film festivals internationally. Summer of 2020 marked the completion of his first solo-directed documentary short, Ghost Resort. It has been screened at national and international festivals. An Associate Professor at the University of Northern Colorado, he completed his PhD at the University of Oregon. He's also acted as an adjunct instructor in CU, Boulder's College of Media, Communication and Information teaching skills courses and at Miami University.
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Studies in Documentary Film
By Fadeliyah Ikhwan Muh. Akbar Muliadi Mau Department of Communication Science, Hasanuddin University, Makassar, Indonesia
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Studies in Documentary Film
By Jinyan Zeng Centre for East and South-East Asian Studies, Lund University, Lund, SwedenJinyan Zeng 曾金燕 is a Substitute Senior Lecturer at the Centre for East and South-East Asian Studies, Lund University, Sweden. She is a scholar and documentary filmmaker. Her research focuses on gender and sexuality, culture and politics, intellectual identity and activism, visualization, digitalization, and ethnicity, with a particular emphasis on the Chinese-speaking world. Among various publications, she has authored Feminism and Genesis of Citizen Intelligentsia in China (in Chinese, 2016, City University of Hong Kong Press), co-edited Feminist Activism in the Post-2010s Sinosphere (2024, with Elisabeth Lund Engebretsen, Bloomsbury Academic), and co-directed documentary film Outcry and Whisper (2020, with Wen Hai and Trish McAdam).