Cultural Studies Journals

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American Quarterly African American Review Arizona Quarterly

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Camera Obscura Communication and Critical Cultural Studies Continuum
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Critical Inquiry  Critical Studies in Media Communication Cultural Politics

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Cultural Studies differences: Feminist Cultural Studies European J of Cultural Studies
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Feminist Media Histories Feminist Media Studies International J of Cultural Studies

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  • Patriarchy in disguise: reproducing male hegemony through the Ninja TV competition
    Source: Feminist Media Studies By Assaf Lev Esther Hertzog Moshe Levy a Department of Sports Therapy, Ono Academic College, Kiryat Ono, Israelb Department of Behavioral Science, Zefat Academic College, Zefat, Israelc Department of Sociology and Anthropology, Ariel University, Ariel, IsraelAssaf Lev is a Sport & Exercise Anthropologist and the Vice-Dean of Research for the Faculty of Health Professions, Department of Sports Therapy, Ono Academic College. As a former professional basketball player, and current distance runner and sports therapist, his research interests focus on embodied experiences of pain, exercise, physical activity, gender, and aging.Esther Hertzog, Zefat Academic College. I am a social anthropologist, teaching and studying bureaucracy and gender, in the contexts of welfare, education, politics, the Holocaust and sports. My recent publications are: Women in Israel: Social issues and feminist struggles (2023, in Hebrew); State violence toward mothers and children (2021, in Hebrew).Moshe Levy is a Senior Lecturer at Ariel University. In recent years, he has served as the Editor of the Journal of Social Issues in Israel. His research, focusing on the sociology of Israeli society, sociology of gambling and chance, and sociology of Sport, was published in more than 40 peer-reviewed journals and chapters in collected editions.
  • “Situating and sustaining feminist action: lessons from digital games inclusivity organizing”
    Source: Feminist Media Studies By Alison Harvey Erika Chung Stephanie Fisher a Communications, York University, Toronto, Canadab Communication and Culture, Toronto Metropolitan University, Toronto, Canadac Faculty of Education, York University, Toronto, CanadaAlison Harvey is Associate Professor in the Communications program at Glendon College, York University. Her research and teaching focuses on issues of inclusivity and accessibility in digital culture, with an emphasis on gender and labour in digital games. She is the author of Gender, Age, and Digital Games in the Domestic Context (2015, Routledge) and Feminist Media Studies (2019, Polity). Her work has also appeared in a range of interdisciplinary journals, including New Media & Society, Games & Culture, International Journal of Cultural Studies, Feminist Media Studies, Information, Communication & Society, Social Media & Society, and Studies in Social Justice. She is also currently the president of the Canadian Game Studies Association.Erika Chung is a Writing and Language Support and Graduate Student Support Facilitator at Toronto Metropolitan University. Her doctoral research focused on the intersectionality of race and gender in comic book fan culture, specifically the experiences of women of colour in the fandom. Her research interests include feminist media studies, popular culture, and issues regarding representation. She has contributed a chapter to the upcoming second edition of The Routledge Companion to Media Fandom, and has published in the Journal of Cultural Analysis and Social Change, Canadian Journal of Communication, Panic at the Discourse and Women Write About Comics.Stephanie Fisher is a Co-Director at Pixelles, a non-profit organization dedicated to supporting women and improving gender diversity in the games industry. In collaboration with video game community groups, organizations, scholars and industry partners, she creates community-driven, inclusivity-focused initiatives that support underrepresented game makers. She holds a PhD from the Faculty of Education, York University. Her research on gender and games has been published in Feminist Media Studies, Learning, Media & Technology, and Loading
  • Factors influencing occupational gender segregation of videojournalists in Taiwanese TV news channels
    Source: Feminist Media Studies By Guangquan Zheng Department of Adult & Continuing Education, National Taiwan Normal University, Taipei, TaiwanGuangquan Zheng is a Ph.D. candidate in the Department of Adult & Continuing Education at National Taiwan Normal University. He served as the Editor-in-Chief of Electronic Commerce Times. His research interests are based on the unique social context of Asia and focus on exploring gender representations within media organizations, the portrayal of gender roles in film and TV dramas, and subcultures studies. His current work involves researching occupational sex segregation in TV news channels and studying the Tanbi/BL culture.
  • Researching non-binary identities across the media ecosystem
    Source: Feminist Media Studies By Vítor Blanco-Fernández Faculty of Information and Audiovisual Media, Universitat de Barcelona Ringgold standard institution, Barcelona, SpainVítor Blanco-Fernández is a postdoctoral fellow at Barcelona University (Faculty of Information and Audiovisual Media). They hold a PhD in Communication (UPF, 2024), and a MA in Media, Power, and Difference (UPF, 2019). They are members of the research projects SEXMEDIA (UB), KALEIDOSCOPE (UB), and InfoSexHealth (UB). Their main research line is LGBTIQA+/Queer Media Studies.
  • Searching for feminist superheroes: gender, sexuality, and race in Marvel Comics
    Source: Feminist Media Studies By Camille Ruiz Mangual Department of Communication, University of South Florida, Tampa, FL, USACamille Ruiz Mangual is a PhD candidate in the University of South Florida’s Department of Communication. Her research lies at the intersections of Feminist Media Studies, Critical/Cultural Studies, and Latina/o/x/e Studies, focusing on how popular culture media construct and represent Latina/o/x/e identities. She examines Latina/o/x/e representation in popular culture streaming television through critical textual analysis, a survey of U.S. Latina/o/x/e audiences on representation perceptions, and actionable recommendations to make Latina/o/x/e media studies scholarship more accessible to broader communities. She holds an M.A. in Communication from USF and a B.A. in English (Creative Writing) with a minor in Writing and Rhetoric from the University of Central Florida.
  • Co-opetition in the censored internet: a corpus-based critical discourse analysis of queer-feminist counterdiscourse in the Chinese context
    Source: Feminist Media Studies By Haiyan Feng Songyan Liu Xiangjian Zeng a School of Journalism and Communication, Xiamen University, Xiamen, Fujian Province, Chinab School of Journalism and Communication, Renmin University of China, Beijing, ChinaHaiyan Feng is an Assistant Professor at the School of Journalism and Communication at Xiamen University, China. She holds a Ph.D. from Tsinghua University, and her research focuses on gender and sexuality studies, cross-cultural communication, and computational communication.Songyan Liu is a post-doc in School of Journalism & Communication of Renmn University of China, Beijing, China. With a Ph.D. from Tsinghua University, Dr. Liu’s research focuses on cross-cultural communication and place branding.Xiangjian Zeng is an Assistant Engineer in the School of Journalism & Communication of Xiamen University, Xiamen, China. With a master’s degree from Beijing University of Posts and Telecommunications, Mr. Zeng’s research focuses on big data mining and machine learning.
  • The challenges of using social media to recruit participants for research on LGBTQ people and animal companionship
    Source: Feminist Media Studies By Damien W. Riggs Claudia Ciccarello Monica Cations College of Education, Psychology and Social Work, Flinders University, Adelaide, South Australia, AustraliaDamien W. Riggs is a professor at Flinders University and the author of over 200 publications on gender, family, and wellbeing. Damien is also a psychotherapist who specialises in working with trans young people.Claudia Ciccarello is a PhD candidate at Flinders University and a provisionally registered psychologist.Monica Cations is a clinical psychologist and epidemiologist who conducts translational research and clinical practice with older adults and people living with dementia.
  • Double dissent: Berkovich, Petriychuk, and the battle for Russian womanhood
    Source: Feminist Media Studies By Anna Kuteleva School of Social Science and Humanities, University of Wolverhampton, Wolverhampton, UKAnna Kuteleva is an interdisciplinary scholar whose work intertwines international relations, development studies, energy security, and feminist-informed approaches to politics. Her research centres on the nexus between politics and sociocultural contexts in international relations and develops a cross-disciplinary methodological toolkit around the concept of discursive politics. In 2022, she joined the University of Wolverhampton in the UK as a senior lecturer in International Relations. Previously, she obtained a Ph.D. in Political Science from the University of Alberta in Canada and held a post-doctoral fellowship at the National Research University Higher School of Economics in Russia.

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J of Communication Inquiry  J of Visual Culture  Media, Culture & Society

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Popular Communication  Public Culture Representations
  • Play your way into production: game-based skills development for the film and TV industry
    Source: Popular Communication By Jude Brereton Bethan Jones Carlton Reeve James Zborowski Anna Bramwell-Dicks a School of Arts and Creative Technologies, University of York, York, UKb Faculty of Creative Industries, University of South Wales, Cardiff, UKc School of Digital, Technology, Innovation and Business, Staffordshire University, Stoke on Trent, UKd School of the Arts, University of Hull, Kingston Upon Hull, UKJude Brereton is Professor of Audio and Music Technologies in the School of Arts and Creative Technologies at the University of York, UK. She is also Co-Director and Skills and Training Lead for the Screen Industries Growth Network. Her teaching covers audio signal processing, psychoacoustics, spatial audio and virtual acoustics, music performance analysis and voice analysis and synthesis at both postgraduate and undergraduate level. Her research interests include: inclusion in STEM and digital creative technology education; the performance and perception in virtual acoustic environments; the use of spatial sound to enhance performer and listener experience and interaction; the analysis, perception and evaluation of musical performance. Before beginning her academic career she worked in arts and music administration and is still active in promoting research-inspired music and theatre events for public engagement and outreach.Bethan Jones is a Research Fellow working on the Media Cymru project at the University of South Wales. Her research interests include fandom, tattoos, gender and participatory cultures, and she has been published in Transformative Works and Cultures, Television and New Media and Velvet Light Trap, among others. Bethan is co-chair of the SCMS Fan and Audience Studies SIG, co-editor of the journal Popular Communication and co-editor of the forthcoming Participatory Culture Wars: Controversy, Conflict and Complicity in Fandom.Carlton Reeve is the Director of the Staffordshire University Games Institute and Professor of Narrative Design. His career in the Creative Industries spans both media production and academia. Having worked as a Commissioner for the BBC, Executive Producer and Creative Director for leading UK indies and as a consultant to organizations including the United Nations, he has produced or commissioned around 10 hours of broadcast television, more than 40 websites and more than a dozen games. He is also a judge for the BAFTA film and game awards, the national VR Awards and a grant assessor for government agencies and has written more than 30 publications. He was awarded a fellowship of the Royal Society of Arts in 2007 for his international work in education and is a trustee of the Sheffield-based charity, Parson Cross Initiative (PXI) which addresses social exclusion, a school governor and volunteer youth leader.James Zborowski is Senior Lecturer in Film and Television Studies at the University of Hull where he teaches and researches in the areas of film, television, media and cultural studies. His work has two main aims. The first is to improve the quality of our discussions about screen drama, in whatever medium we find it. The second is to explain the functions and the evolution of communications media in society.Anna Bramwell-Dicks is Subject Head of Creative Technologies and Senior Lecturer in Interactive Media in the School of Arts and Creative Technologies at the University of York. Her research and teaching interests span different areas of the school but are primarily driven by an interest in the role of (new) technology, media and music in improving health, wellbeing and access and the relationship between different modalities (e.g. sound, haptics) and storytelling within these new media forms.
  • Representing trans in Sinophone films: uncovering local critical evaluations, storytelling performative marriages, promoting trans decoloniality, and illustrating transgendered cis-casting
    Source: Popular Communication By Ximin Wei Matthew M. Chew Dehao Hu a Hong Kong Baptist Universityb Lingnan Universityc South China University of Technology Wushan CampusAs a trans woman (she/her), Ximin Wei is a Master of Social Science at the Faculty of Social Science, Hong Kong Baptist University. Her research interests include Trans* studies, human geography, and urban studies.Matthew M. Chew is an Associate Professor at the Department of Digital Arts and Creative Industries of Lingnan University, Hong Kong. His research interests include cultural sociology, social theory, digital media, political communication, and ethnic and racial studies. His research has been published in journals such as Media Culture and Society, Sociology, Cultural Studies, China Quarterly, and New Media and Society.Dehao Hu is an independent scholar. As a genderqueer (they/them). Their research interests include computer science, digital humanities, and gender studies.
  • Publisher’s note
  • Exploring the potential use of easy-to-understand language in video games
    Source: Popular Communication By Miguel Ángel Oliva Zamora Departament de Traducció i d’Interpretació i d’Estudis de l’Àsia Oriental, Universitat Autònoma de Barcelona, Barcelona, SpainMiguel Ángel Oliva Zamora holds a BA in Translation and Interpreting from the Universidad de Granada (UGR) and a MA in Audiovisual Translation from the Universitat Autònoma de Barcelona (UAB). Thanks to the PhD grant he has been awarded with, he is now able to research video game accessibility and the implementation of easy-to-understand language. He is currently a member of the research group TransMedia Catalonia at the UAB and develops his work as part of the From written to oral texts in Easy Language: easy audios in cultural visits and video games (WEL) project.
  • Representation of neurodiversity in video games: analyzing autism through the character of Symmetra in Overwatch 2
    Source: Popular Communication By Kevin Rebecchi Liège Game Lab, Research Unit Traverses, University of LiègeDr. Kevin Rebecchi, PhD is a researcher and lecturer in education, psychology, and communication, affiliated with the University Lumière Lyon 2 (France) and the Liège Game Lab (Belgium). His research focuses on neurodiversity, autism, creativity, and the representation of atypical cognition in media, particularly through video games. His work examines how video games, films, and television series shape societal perceptions of autism, questioning the boundaries between otherness and normality.
  • Tattoos as unpopular communication within the psychotherapy profession
    Source: Popular Communication By Lucy Snelson University of ExeterLucy Snelson is a qualified psychotherapist and accredited member of BACP who works in private practice in Norwich. She graduated with an Msc in psychological therapies from the University of Exeter in 2021.
  • Queer women’s fandoms: new global perspectives
    Source: Popular Communication By Jamie J. Zhao Eve Ng a School of Creative Media, City University of Hong Kong, Kowloon Tong, HKSARb School of Media Arts and Studies and Women’s, Gender, and Sexuality Studies Program, Ohio University, Athens, Ohio, USAJamie J. Zhao is Assistant Professor in the School of Creative Media at City University of Hong Kong. Her research explores East Asian media and public discourses on female gender and sexuality in a globalist age. She is the editor of Queer TV China (HKUP, 2023) and coedited Boys’ Love, Cosplay, and Androgynous Idols (HKUP, 2017), Contemporary Queer Chinese Art (Bloomsbury, 2023), and the Routledge Handbook of Chinese Gender and Sexuality (Routledge, 2024). She has also (co)edited 10 special issues for highly selective journals on the topics of global media, celebrity, and fan studies.Eve Ng is an associate professor in the School of Media Arts and Studies and the Women’s, Gender, and Sexuality Studies program at Ohio University. She is the author of Cancel Culture: A Critical Analysis (Palgrave Macmillan, 2022), Mainstreaming Gays: Critical Convergences of Queer Media, Fan Cultures, and Commercial Television (Rutgers University Press, 2023), and numerous journal articles on media and cultural studies and gender studies. She serves on the editorial boards of Communication and Critical/Cultural Studies, Communication, Culture & Critique, Journal of Lesbian Studies, Television & New Media, and Transformative Works and Culture.
  • Queer women prefer older sisters: the onee-san voice, the woman game streamer Southern Senior Female Schoolfellow, and the Aurora Australis fandom
    Source: Popular Communication By Jamie J. Zhao School of Creative Media, City University of Hong Kong, Kowloon, Hong Kong SARJamie J. Zhao is Assistant Professor in the School of Creative Media at City University of Hong Kong. Her research explores East Asian media and public discourses on female gender and sexuality in a globalist age. She is the editor of Queer TV China (HKUP, 2023), and coedited Boys’ Love, Cosplay, and Androgynous Idols (HKUP, 2017), Contemporary Queer Chinese Art (Bloomsbury, 2023), and the Routledge Handbook of Chinese Gender and Sexuality (Routledge, 2024). She has also (co)edited ten special issues for highly selective journals on the topics of global media, celebrity, and fan studies.

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Social Text  Theory & Event Visual Communication

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