History Journals

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Cold War History Cultural & Social History Diplomatic History

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Feminist Media Histories Film History History: Reviews

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The Historian (OAH) J of American History J of Interdisciplinary History

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J of Cold War Studies J of Military History J of Social History

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J of War & Culture Studies Media History Radical History Review
  • Cultural Peace Work in ‘Post-Conflict’ Northern Ireland
    Source: Journal of War & Culture Studies By Louise HarringtonDepartment of English and Film Studies, University of Alberta, Edmonton, CanadaDr. Louise Harrington is an Assistant Professor in postcolonial studies and contemporary literatures in the Department of English and Film Studies at the University of Alberta. She works primarily on cultural representations of war and ethno-religious-national conflict in the 20th and 21st centuries, specializing in the study of Israel and Palestine, Northern Ireland and the Republic of Ireland, and the region of South Asia. Her work is grounded in critical border studies, geocriticism, and spatial literary studies. She is also active in research on peace and conflict resolution in cultural production, and migration and intercultural studies.
  • Soldier-Spy: The National Security State and the 1960s World War II Spy Film
    Source: Journal of War & Culture Studies By Maxim Tvorun-DunnDepartment of Interdisciplinary Cultural Studies, University of Tokyo, Tokyo, JapanMaxim Tvorun-Dunn is a cultural economist and media theorist, currently a PhD candidate at the University of Tokyo. Specializing in the postwar rise of postmodernity and neoliberalism within material and visual culture, Maxim has published on varied topics including transmedia storytelling, video games, environmental studies, the global counterculture, and global cinema of the 1960s.
  • The Traumatic Mirror and the Asymptote: Cinematic Representations of American Intervention in Iraq and Afghanistan
    Source: Journal of War & Culture Studies By Samir DayalBentley University, USASamir Dayal is Professor of English and Media Studies at Bentley University, Postcolonial and Cultural studies. He is President of the PsyArt Foundation and Editor-in-Chief of the PsyArt Journal. Publications include co-edited books Global Babel and New Cosmopolitanisms, Race, and Ethnicity, and the monograph Dream Machine: Realism and Fantasy in Hindi Cinema. As editor of a book series at Other Press, he edited Julia Kristeva's Crisis of the European Subject. Current projects include books on loneliness and World Literature. Recent essays include ‘Artificial Flesh: Rights and New Technologies’ in Literature and ‘Precarity and Planetarity’ in an edited collection.
  • Introduction: Transnationalism and the War Film Genre
    Source: Journal of War & Culture Studies By Marzena Sokołowska-ParyżUniversity of Warsaw, PolandMarzena Sokołowska-Paryż is Associate Professor at the University of Warsaw, Poland. She is the author of Reimagining the War Memorial, Reinterpreting the Great War: The Formats of British Commemorative Fiction (2012) and The Myth of War in British and Polish Poetry, 1939-1945 (2002). She has co-edited with Martin Löschnigg, The Great War in Post-Memory Literature and Film (2014) and The Enemy in Contemporary Film (2018). She is the author of numerous articles and chapters in edited volumes on the subject matter of war in literature and film.
  • ‘War is Like This’: Jirga, History and Genre Tropes
    Source: Journal of War & Culture Studies By Emma HamiltonPaul ChojentaUniversity of Newcastle, AustraliaEmma Hamilton is a senior lecturer of history at the University of Newcastle, Australia. Her research relates understanding representations of history on film, and cultural histories of gender, sexuality, age, and race across time and place. Emma has published two books on the Western film genre: Masculinities in American Western Films (2015) and Unbridling the Western Film Auteur (2018, an edited collection with Dr Alistair Rolls). She also contributes to the scholarship of teaching and learning, with a particular focus on widening participation and online education.Paul Chojenta is an associate lecturer in screen and cultural at the University of Newcastle, Australia. His research focuses on the role cinema plays in public knowledge of history and culture. He is a current PhD candidate, whose thesis will explore the role of film canons in the discipline of screen studies. He also contributes to the scholarship of teaching and learning, with a particular focus on enabling education and student engagement.
  • Heroic Soldiers, Justified Wars: Depictions of the Wars in Afghanistan and Iraq in Polish Popular Film
    Source: Journal of War & Culture Studies By Marek ParyżUniversity of Warsaw, PolandMarek Paryż is an associate professor of American literature at the Institute of English Studies, University of Warsaw.
  • Transnational memories of war and conflict in Aotearoa/New Zealand
    Source: Journal of War & Culture Studies By Andrea HepworthTe Herenga Waka – Victoria University of Wellington, Wellington, New ZealandAndrea Hepworth, Department of Languages and Cultures, Victoria University of Wellington–Te Herenga Waka, New Zealand. Her research focuses on post-conflict societies, analysing the lasting impact of traumatic historical events on present-day society. She investigates the marginalisation of specific social groups and their endeavours to secure recognition for their voices and narratives. Her research employs an interdisciplinary approach at the crossroads of history, memory studies, and social movement studies. Her research has been published both in scholarly edited volumes and high-impact academic journals, such as the International Journal of Transitional Justice, the Journal of Contemporary History Journal, the Bulletin of Spanish Studies and the Journal of Genocide Research.
  • World War II, the Paranormal, and Literature in Communist Poland: Unpublished Short Stories by Władysław Smólski
    Source: Journal of War & Culture Studies By Wiktor GardockiFaculty of Philology, University of Białystok, Białystok, PolandAssistant Professor at the Department of Comparative Research and Editing, Faculty of Philology, University of Bialystok. His research focuses on censorship of Polish literature (1945–1990) and the Holocaust.

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strong>Social History 20th C British History War in History

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